| 000 | 03095nam a22003017a 4500 | ||
|---|---|---|---|
| 005 | 20150617160717.0 | ||
| 010 | _aENG-113055 | ||
| 020 |
_a9789351500667 _c645.00 |
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| 035 | _aEN-96587 | ||
| 037 | _bDBAD/PUB | ||
| 082 | _a324.254072095482 | ||
| 245 |
_aThe image trap : _bM.G. Ramachandran in film and politics / _cby M.S.S. Pandian |
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| 260 |
_aNew Delhi _bSage Publications _c2015 |
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| 270 |
_aB1/I-1 Mohan Cooperative Industrial Area Mathura Road, _bNew Delhi _e110044 |
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| 300 |
_axix,162p. _c22cm(Hb) |
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| 500 | _aIncludes bibliographical references and index | ||
| 505 | _aThe image trap -- Appendix I: A brief chronology of MGR’s life, 1917-87 -- Appendix II: MGR’s filmography -- Appendix III: Electoral performance of the AIADMK in Tamil Nadu. | ||
| 520 | _a "Social scientists in India have made substantial headway in understanding forms of counter-hegemonic politics of the subaltern classes (lower caste/poor people). However, there is little analysis of how the ruling elite produce consent for their domination and hegemony from the subaltern classes whom they make use of. The author takes this as a point of departure and explores subaltern consciousness under conditions of hegemony. This is done through a detailed study of the immense popularity enjoyed by the late M.G. Ramachandran (MGR), the film actor-cum-politician of Tamil Nadu, among the subaltern classes whose interests he constantly and blatantly violated. The book begins by delineating the cultural elements which were meticulously mobilised to constitute a stereotypical cinematic persona of MGR. Accounting for the success of this cinematic persona among the subaltern classes, the book details how the elements that went into the making of MGR’s film persona were a selective appropriation of the cultural idioms of the subalterns themselves. The book further analyses how the cinematic persona of MGR was encoded as though it represented the political persona of MGR. This was done by means of what Pandian terms as ’constructed biographies’ which were popular narratives that ingeniously present what was cinematic as real. A special feature of the book is its engagement with MGR’s popularity, both as an actor and a politician, with women. Knowingly crossing disciplinary boundaries, the book offers itself to political scientists, historians of the contemporary, and scholars of film studies, popular culture and gender studies"--Provided by publisher. | ||
| 600 |
_a Rāmaccantiran̲, Em. Ji., _d1917-1987 _xPublic opinion. |
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| 650 |
_aPolitics and culture _zIndia _zTamil Nadu _x History _y20th century |
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| 650 |
_a Popular culture _zIndia _zTamil Nadu _xHistory _y20th century. |
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| 650 |
_a Motion pictures _xPolitical aspects _xHistory _zIndia _y20th century. |
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| 650 |
_a Public opinion _zIndia _zTamil Nadu _xHistory _y20th century. |
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| 650 |
_a Hegemony _xSocial aspects _xHistory _zIndia _zTamil Nadu _y20th century. |
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| 650 |
_a Politicians _zIndia _zTamil Nadu _vBiography. |
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| 650 |
_aActors _zIndia _zTamil Nadu _vBiography. |
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| 942 |
_2ddc _cEN _mPAN |
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| 999 |
_c93630 _d93630 |
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