| 000 | 02834nam a22002897a 4500 | ||
|---|---|---|---|
| 005 | 20141119153123.0 | ||
| 010 | _aENG-111210 | ||
| 020 |
_a9780199453672 _c1795.00 |
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| 035 | _aEN-94742 | ||
| 037 | _bDBAD/PUB | ||
| 082 | _a701.030954 | ||
| 100 | _aZitzewitz, Karin | ||
| 245 |
_aThe art of secularism : _bthe cultural politics of modernist art in contemporary India / _cby Karin Zitzewitz |
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| 260 |
_aNew Delhi _bOxford University Press _c2014 |
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| 270 |
_aYMCA Library building, 1 Jai Singh Road _bNew Delhi _e110001 |
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| 300 |
_axiv, 206p. : _c23cm(pbk) _bill. (mostly color) |
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| 500 | _aIncludes bibliographical references and index | ||
| 505 | _a One Intention, Artistic Subjectivity, and Citizenship: M. F. Husain -- The Modernist Icon and Visual Culture: K. G. Subramanyan -- Cosmopolitanism in the Art World of Bombay/Mumbai: Kekoo Gandhy -- The Everyday Life of the Communalized City: Gulammohammed Sheikh -- An Artist’s Claim to Truth: Bhupen Khakar. | ||
| 520 | _a "Written in the wake of the widely publicised attacks by Hindu nationalist activists on the late M. F. Husain, India’s most famous artist and a prominent Muslim, The Art of Secularism addresses the entanglement of visual art with political secularism. The crisis in secularism in India, commonly associated with the rise of Hindu nationalism in the 1980s, transformed the meaning of art. It challenged the relationships between modernism, national culture, secularism and modernity that had been built since India’s independence in 1947. The Art of Secularism describes how four renowned artists--M. F. Husain, K. G. Subramanyan, Gulammohammed Sheikh, and Bhupen Khakhar--developed their practice in an era when secular nationalism grappled with the recent re-enchantment of signs. Combining close readings of these artists’ work with ethnography of the art worlds of Mumbai and Vadodara, Karin Zitzewitz describes both the everyday forms of cosmopolitanism in the Indian art world and the increasing vulnerability of art world spaces to cultural regulation. She also presents the shifting conditions of the production and exhibition of art within the particularly urgent, varied, and sophisticated public debates about secularism in India, in which artists have been increasingly prominent interlocutors"-- |c Provided by publisher. | ||
| 520 | _a "A study of the entanglement of visual art with secularism in the wake of the rise of Hindu nationalism in India, tracking the emergence of the artist as an exemplary secular subject"-- |c Provided by publisher. | ||
| 650 |
_a Nationalism and art _zIndia. |
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| 650 |
_a Art and society _zIndia. |
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| 650 |
_aSecularism _zIndia. |
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| 650 |
_a Modernism (Art) _zIndia. |
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| 650 |
_a Artists _zIndia _xSocial conditions. |
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| 942 |
_2ddc _cEN _mZIT _h701.030954 |
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| 999 |
_c90003 _d90003 |
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