02743nam a22002657a 450000500170000001000150001702000270003203500130005903700130007208200150008510000210010024501120012126000450023327000630027830000490034150000500039050503160044052013450075652002170210165000340231865000290235265000240238165000300240565000420243520141119153123.0 aENG-111210 a9780199453672c1795.00 aEN-94742 bDBAD/PUB a701.030954 aZitzewitz, Karin aThe art of secularism :bthe cultural politics of modernist art in contemporary India /cby Karin Zitzewitz aNew DelhibOxford University Pressc2014 aYMCA Library building, 1 Jai Singh RoadbNew Delhie110001 axiv, 206p. :c23cm(pbk)bill. (mostly color) aIncludes bibliographical references and index a One Intention, Artistic Subjectivity, and Citizenship: M. F. Husain -- The Modernist Icon and Visual Culture: K. G. Subramanyan -- Cosmopolitanism in the Art World of Bombay/Mumbai: Kekoo Gandhy -- The Everyday Life of the Communalized City: Gulammohammed Sheikh -- An Artist’s Claim to Truth: Bhupen Khakar. a "Written in the wake of the widely publicised attacks by Hindu nationalist activists on the late M. F. Husain, India’s most famous artist and a prominent Muslim, The Art of Secularism addresses the entanglement of visual art with political secularism. The crisis in secularism in India, commonly associated with the rise of Hindu nationalism in the 1980s, transformed the meaning of art. It challenged the relationships between modernism, national culture, secularism and modernity that had been built since India’s independence in 1947. The Art of Secularism describes how four renowned artists--M. F. Husain, K. G. Subramanyan, Gulammohammed Sheikh, and Bhupen Khakhar--developed their practice in an era when secular nationalism grappled with the recent re-enchantment of signs. Combining close readings of these artists’ work with ethnography of the art worlds of Mumbai and Vadodara, Karin Zitzewitz describes both the everyday forms of cosmopolitanism in the Indian art world and the increasing vulnerability of art world spaces to cultural regulation. She also presents the shifting conditions of the production and exhibition of art within the particularly urgent, varied, and sophisticated public debates about secularism in India, in which artists have been increasingly prominent interlocutors"-- |c Provided by publisher. a "A study of the entanglement of visual art with secularism in the wake of the rise of Hindu nationalism in India, tracking the emergence of the artist as an exemplary secular subject"-- |c Provided by publisher. a Nationalism and art zIndia. a Art and societyzIndia. aSecularism zIndia. a Modernism (Art) zIndia. a Artists zIndia xSocial conditions.