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  <titleInfo>
    <title>The best of Ustad Amir Khan</title>
  </titleInfo>
  <typeOfResource>moving image</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xu|</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Kolkata</placeTerm>
    </place>
    <publisher>Saregama India</publisher>
    <dateIssued encoding="marc">p199</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="gmd">Audio CD</form>
    <extent>1 Compact disc  sd., col. ; 4 3/4 in.</extent>
  </physicalDescription>
  <targetAudience authority="marctarget">juvenile</targetAudience>
  <note type="statement of responsibility">from the archives of Saregama HMV</note>
  <note>He was the recipient of Sangeet Natak Akademi Award in 1967, Presidential Award in 1971, Padama Bhushan in 1971, Swar Vilas from Sur Singar Sansad in 1971.  He died a premature death in a car accident in Calcutta on February 13, 1974. </note>
  <note>He was much more than a leading classical  musicina of his times.  He was an intellectual leader who created a fresh ideology in Hindustani Raga Sangeet whcih was os powwerful in its inpact that it directly or indirectly influenced a larg number of subsequent artistes and styles.  Khayal      and tarana were the singing genres, which the Ustad worshipped with intense devotion and ardour.  He cared most for improvisation with words in Khayal singing.   </note>
  <subject>
    <topic>Sound recording</topic>
  </subject>
  <classification authority="ddc">DVD / BEST </classification>
  <identifier type="lccn">DVD-007976-7984</identifier>
  <identifier type="stock number">Pioneers Office Automation </identifier>
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    <recordCreationDate encoding="marc">||||||</recordCreationDate>
    <recordChangeDate encoding="iso8601">20110823141830.0</recordChangeDate>
    <recordIdentifier source="dpl">DVD-007976-7984</recordIdentifier>
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